Just wanna pat myself on the back for a teensy second

GoldyCat

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Originally Posted by Renovia

Hey all, I'm so happy you've listened to it......as for the tempo varations. She works very hard with a metronome and all those variations were purposely placed, perhaps not the ones I would have chosen for that recording but she's already performed it in recital so I'm letting her develop her own expression. With guidance of course. That piece I coached her on, but I'm done coaching her on it unless I hear anything really atrocious!
I'm thinking if I could see her as well as hear the performance I might appreciate her variations more. In listening without being able to see her body language, I felt some of the hesitations were a little awkward, especially in the first two or three measures.

For the melody line she has a very nice interpretation and I do see why she wants to hold some of the notes out longer. However, my personal preference is to keep the left hand flowing, which in this case means more even.
 
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