- Thread Starter Thread Starter
- #21
lol! Thanks!
Tracey, my advise is to get as much light on the black cat as you can... (don't use flash that always makes everything look flat and icky)... Get her/him near a window, put all the lights on in the room with the cat near the window if you have to... If you have a big white sheet of cardboard or paper or best yet - foam core board, use that as a reflector and reflect your window light back at the cat on the opposite side... If you can change your settings in your camera, bump your ISO (film equivalent) up to the highest you can go (800 is what I like to use in low light situations), and open your aperture as wide as you can (I don't know how point and shoots handle aperture).
Do you have any type of editing software? If you can go into the editing software and change levels a bit, you should be able to get some detail back into the cat's fur if you still didn't manage enough light on the cat. (I use Adobe PhotoShop CS, unfortunately, I really don't know any other programs)...
Tracey, my advise is to get as much light on the black cat as you can... (don't use flash that always makes everything look flat and icky)... Get her/him near a window, put all the lights on in the room with the cat near the window if you have to... If you have a big white sheet of cardboard or paper or best yet - foam core board, use that as a reflector and reflect your window light back at the cat on the opposite side... If you can change your settings in your camera, bump your ISO (film equivalent) up to the highest you can go (800 is what I like to use in low light situations), and open your aperture as wide as you can (I don't know how point and shoots handle aperture).
Do you have any type of editing software? If you can go into the editing software and change levels a bit, you should be able to get some detail back into the cat's fur if you still didn't manage enough light on the cat. (I use Adobe PhotoShop CS, unfortunately, I really don't know any other programs)...